De ultieme gids naar Pokemon
De ultieme gids naar Pokemon
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Kohler (2016) wrote that at the time Pokémon was considered "ruthlessly commercial", and that it "program[med] children to be consumers of anything and everything Pokémon".[509] CNN quoted child psychiatrist John Lochridge as worrying that "Pokémon's creators and marketers deliberately set out to create a fantasy world so compelling that children would quickly become obsessed". He believed that kids were being "brainwashed", and said: "I have had parents tell me that they cannot get their kids to do anything except Pokémon, so this stuff seems to really capture their minds, in a way".
While NoA and 4Kids were allowed a fair degree of liberty in their localization ofwel Pokémon, the Japanese copyright council, headed by Ishihara, had the last say aan it. All decisions regarding adjustments and promotion had to gain final approval of the Japan side.[266] This included all ofwel the merchandise, for which a 'two-step system' was created. All (aspiring) licensees in North America were to send their merchandise proposals to 4Kids.
Die reeks is verder alweer te verdelen in een paar delen, veel nieuwe spellen, en veel remakes Derde generatie
As such, the games feature similar capture mechanics to Go where the player throw Poke Balls to catch wild Pokémon rather than battling them like traditional Pokémon games. In addition, the games feature the same setting and characters with the first generation ofwel games and the original animated series and include exclusively the original 150 Pokémon to further appeal to their targeted audience.[420][421]
[234] Staff of both 4Kids and NoA then made a pre-selection and send the approved proposals to Japan, where the council made the final decision. Many submissions were bounced at the US stage, and thus never got sent to Japan. Tilden noted that processing all license applications, and mailing all approved prototypes and their documentation to Japan, was a lot ofwel work. Arakawa did consider streamlining the process by moving someone from Japan to the US, but no person could be found who was as competent as Ishihara.[267]
Check the Bulbagarden home page for up-to-persoon Pokémon news and discuss it on the forums or in the Bulbagarden Discord server.
Bulbapedia kan zijn an encyclopedia about Pokémon to which anyone can contribute. Since its launch in February 2005, it has grown to become one of the largest Pokémon resources on the de elektronische snelweg.
Elke speler aangaande het spel verlangt ernaar voordeligste Pokémon-trainer te worden en al die Pokémon te vangen. In nauwelijks met een spellen zijn al die Pokémon te vangen, opdat de speler betreffende iemand welke het andere spel bezit dien ruilen teneinde alle Pokémon te bemachtigen.
"When wij started this project in Japan, one of the first things I was told was that this kind of thing would never appeal to American audiences. They said, 'Because the characters are in a very Japanese style, you cannot sell them to Americans'.
[4] These concerns were countered by psychologist William Damon, who told Newsweek that obsessing kan zijn in fact a normal part ofwel a child's neurological development. It should concern parents only when the obsession gets dangerous or excessive.[510] An op-ed in the New Zealander newspaper The Dominion Post claimed that the anti-Pokémon sentiment was particularly American: "The backlash, which seems largely confined to the United States, may be no more than the sound ofwel the world's leading cultural imperialist gagging on a taste ofwel its own medicine".[511]
In deze film speelden de zeldzame Pokémon Mew en Mewtwo. In de Verenigde Staten ging een film in première op 10 november 1999. De film had kort dit record wegens grootste omzet gedurende een opening voor een geanimeerde film. Organiseren begonnen kort daarop een spel gebaseerd op een gewilde anime. Hiermee werden Pokémon Yellow (Pokémon Geel) werkelijkheid, en kwam uit op 12 september 1998 in Japan, en 25 oktober 1999 in de Verenigde Staten en Europa. Pokémon Yellow stond trainers toe de rol van Ash met te nemen, en om te zwerven door de landstreek Kanto, betreffende animeachtige graphics vanwege iedere Pokémon, en een Pikachu wanneer kameraad, die een trainer volgde. 2e generatie
De animeserie Diamond & Pearl begon in Japan en in de VS betreffende uitzenden na het spel was uitgekomen. Bijvoorbeeld de voorgaande series, introduceerde deze reeks een nieuw vrouwelijk personage, Dawn, gebaseerd op haar speltegenhangster.
Verder kwamen in die versies uitgebreidere weersverschijnselen tot voren, tezamen betreffende twee nieuwe vijandige teams: Team Magma en Team Aqua. Door een grote veranderingen in dit systeem, was dit niet mogelijk om deze versies te linken aan vroegere versies aangaande de Pokémonserie.
A production council was formed to produce the Pokemon anime. Different people appeared at different meetings, but four individuals usually present were Ishihara ofwel Creatures, Sugimori of Game Freak, Yuyama of OLM, and independent producent Yoshikawa. Yoshikawa had the final say. The council decided on the anime's worldview, characters, general storyline, and various important details. The early meetings, which were also attended by Tajiri, usually started with a Q&A session in which Tajiri and Ishihara were asked about the Pokemon universe.[174] The council was careful to have the anime be in concordance with the video game. Inevitably, there had to be differences between the two, but all agreed that the overall worldview as envisioned by Tajiri should not be disturbed.
By 2002, the craze had ended, after which Pokémon became a fixture in popular culture, with new products being released to this day. In the summer of de zomer, the franchise spawned a second craze with the release of Pokémon Go, an augmented reality game developed by Niantic. Pokémon has since been estimated to be the world's highest-grossing media franchise and one of the best-selling video game franchises.
In Platinum, the developers focused on changing the most essential elements from Diamond and Pearl to maintain continuity with the previous games. Director Junichi Masuda stated that since they Pokemon Elite Trainer box Kopen designed Diamond and Pearl as the "ultimate" Pokémon titles, it was only necessary to make Platinum "eventjes stronger" than them. They approached this by designing the "Origin Forme" for the legendary Pokémon Giratina, ensuring that the vormgeving would appear significantly different from its regular form in Diamond and Pearl and to express the games' core antimatter and Distortion World concepts.